Voices
of: Will Arnett Ralph Fiennes Zach Galifianakis Michael Cera Jenny Slate
Rosario Dawson Zoe Kravitz Channing Tatum Jonah Hill Jemaine Clement
Ellie Kemper Adam Devine Kate Micucci Seth Green Eddie Izzard
Rosario Dawson Zoe Kravitz Channing Tatum Jonah Hill Jemaine Clement
Ellie Kemper Adam Devine Kate Micucci Seth Green Eddie Izzard
The humanization of Batman (Arnett) turns out
to be very funny with glitzy animation and some substance to the message. As evidenced by audience reaction at
the screening, those familiar with DC comics will get many references that fly
past those of us who are uninformed.
But even for those unfamiliar with all the Batman comics and movies,
this is a flashy, entertaining story that will even pull your heartstrings in
places.
Batman is full of himself, depicting the
stereotypical male out of touch with his emotions or others’, and needing to be
a savior in order to feel good about himself. He has boxed himself in by shutting everyone else out,
thinking he has to do everything on his own, ignoring his own needs for support
and connection, and hell bent on being the hero of Gotham City. His competitiveness with
others—including Superman—is not overlooked.
But the Joker (Gallifianakis) is back on the
scene, and is intent on taking over Gotham City. The police commissioner (Dawson) wants to help, as does
Alfred Pennyworth (Fiennes), Batman’s aide, but he puts them off and strikes
out on his own. Someone he can’t
put off is an orphan whom he absent-mindedly adopted one day. Dick (Cera) is entranced with Batman,
and insists on following him everywhere and getting outfitted in Batman-like
clothes. Batman tries to brush him
off repeatedly, but the little guy is so persistent, Batman starts feeling some
attachment to him—not admitting any such thing, of course.
Themes that are treated both seriously and
funny recurring throughout the movie include attachment, responsibility,
cooperation, and the joy of play.
Even the Joker can’t get Batman to acknowledge that he is meaningful to
him, and his wheedling and arguments with Batman are some of the funniest
scenes. A sense of responsibility
outweighs anything else in Batman’s mind, preventing him from accepting help
from others and making him actually lonely. Pennyworth tries his best to get Batman to lighten up, and
Dick enthusiastically takes to everything like it’s one big joyous game. It takes a while for all this to get
through to Batman and for him to become aware of his own emotional experience.
Lego
Batman is highly entertaining and visually beautiful, and is not directed
toward any one age. Children and
adults should enjoy it for different reasons. Although many of the references to other DC Comics film
productions are likely to go over kids’ heads, there is enough animation and
color—and even jokes—to keep them engaged. Lorne Balfe’s music enhances the different moods of the
film, notably playing Three Dog Night’s “One is the Loneliest Number” when
Batman returns home and finds he is warming up his dinner and eating
alone.
Director Chris McKay and the whole Warner
Brothers-Lego-DC Comics team deserve the immense pride they most likely take in
this production. The voices of the
actors deserve praise as well.
Fine animation with humor, adventure,
and thoughtful points for viewers of all ages.
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