Rebecca Ferguson Jake Gyllenhaal Ryan
Reynolds
Hiroyuki Sanada
Olga Dihovichnaya Ariyon Bakara
Life:
an apt title for a gripping story about a mission to Mars in search of evidence
of extraterrestrial life. The
six-member crew of the International Space Station are excited about testing
the sample they’ve obtained, and all eyes are transfixed on it when Hugh
(Bakara) begins his experiments to see if it will produce life at all. When a one-cell organism appears, they
joke about Hugh’s “child”, and as he teases it to interact, he starts getting
attached. (A rather hokey parallel
event occurs at the same time when another crew member watches on Skype as his
son is being born on earth.)
Please!
Fortunately/unfortunately, the “thing” now
called “Calvin” begins to thrive, and starts growing at an alarming rate. After only days, it has uncommon
strength and enough intelligence to threaten humans and their inventions. At first, the concern is to get the sample to earth, which is then modified
to getting Calvin there, and finally to how to keep Calvin away from earth
entirely. Lives are lost in the most
gruesome ways imaginable (and each one is shown in graphic detail) as various
methods are tried to overcome it.
Director Daniel Espinosa (Safe House, Child 44) brings the script by Rhett Reese and Paul
Wernick to life (pun intended), greatly enhanced by Nigel Phelps’ production
design, Seamus McGarvey’s cinematography, and all the other special effects
artists. Inventive ways are used
to show in gruesomely graphic fashion how Calvin operates and what it does to
human bodies. Of interest are the
ways in which we see the astronauts cope with the unreal situation—the times
they keep their cool and the times they are completely freaked out. Also demonstrated is the futility of
attempting to plan for every eventuality in a complex system.
Miranda (Ferguson), as the Project Investigator
and medical doctor on board leads her team decisively with support from the
other astronauts: Roy (Reynolds), David (Gyllanhaal), Kat (Dihovichnaya),
Kendo, (Sanada), and Hugh (Bakara), biologist. It’s a diversified group professionally and ethnically,
which melds together nicely to get a job done, and heroes are not scarce. A drawback of the film is that we don’t
get to know enough of the background of the characters to see them and care
about them as individuals. The
film seems to be more focused on the technology and special effects than on the
people and character development.
It could also have spent more time and highlighted the weight of the
numerous ethical dilemmas the crew faced, particularly Miranda.
Life opens up
thoughts about space exploration and the possible scientific, moral, and
ethical dilemmas that may arise from it.
Grade: C By Donna
R. Copeland
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