Chris Hemsworth Michael Shannon William Fichtner Taylor Sheridan Michael Pena Navid Negahban
This film had potential, but the filmmakers
chose instead to make it one long, two-hour gun battle nonstop. We hear a bit about the characters in
the beginning, but not really enough to feel invested in them. We are given a bit of war planning and
arguing, then the 12 committed men are sent to Afghanistan as elite special
forces with the primary purpose of disempowering Al Qaeda. They will secure the alliance of a
Taliban warlord with grudges against his rivals and a mutual hatred of Al
Qaeda, which has just attacked the U.S. on 9/1/1.
If we could have been given more back story
about Captain Mitch Nelson (Hemsworth) who secured undying loyalty from his
team including Hal Spencer (Shannon), Sam Diller (Pena), and others, their
confidence in him and his leadership would have been more gratifying. This is even more salient for the
character General Dostum (Negahban), the Taliban leader with whom Captain
Nelson has an ambivalent relationship.
What a rich and illuminating history he must have. Having some light shed on the political
and historical background of these relationships would elevate the story beyond
constant war skirmishes.
I’m reminded of the jokes about American
westerns’ “white” hats and “black” hats that helped us identify the warring
parties. We have no such clues in 12 Strong, where it’s often difficult to
tell which fighters are American and which are which Taliban. Some of them are robed, and we know
they are Afghans, but which are General Dostum’s and which are enemies is
difficult to see. My hunch is that
those who are familiar with videogames—which are fast-moving—will have an
easier time than I had.
Production designer Christopher Glass and the
visual effects artists have created impressive sets and special effects. It is thrilling to see the American
bombs hitting their targets and rockets flying through the air. These filmmakers did their jobs well; I
put most of the responsibility for neglecting character development in favor of
never-ending battle scenes at the feet of the director, Nicolai Fuglsig. I believe this is his first foray into
directing a feature film, and hopefully, next time he will attend more to
emotional and character development to give depth to his films.
Chris Hemsworth is effective in depicting a
dedicated American war hero who is sharp and cagy in his analyses and attuned
to nuances and competing agendas in his dealings with others, whether friend or
foe. We do get a better idea of
what kind of person he is. That is
not the case with the characters of fine actors like Michael Shannon, Michael
Pena, Taylor Sheridan, and Navid Negahban. They were wasted in this movie, considering their intrinsic
worth.
This is a story that needs to be told, but with
many more details about the circumstances and the people involved.
Knights on (not white) horses win the
day (not the war) in Afghanistan post 9/11.
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