Showing posts with label Katherine Heigl. Show all posts
Showing posts with label Katherine Heigl. Show all posts

Wednesday, August 9, 2017

THE NUT JOB 2: NUTTY BY NATURE

Voices of:  Will Arnett     Katherine Heigl     Maya Rudolph     Jackie Chan     Bobby Canavale     Bobby Moynihan


     In this version of the Nut Job stories, the animals have found that the nut store from the first story is abandoned and filled to the brim with nuts and nut products.  They are gorging to their hearts’ content, getting lazy and spoiled, according to Andie (Heigl); she realizes that the store has a real downside, whereas her friend Surly (Arnett) discounts her concerns and fails to get her point.  She tries valiantly to get the animals to forage for nuts, work hard, and save but they’re not really interested.  Their indolence actually results in the store burning to the ground after an explosion occurred when someone who was supposed to be minding the boiler forgot about it.  But it doesn’t really matter because what neither Surly nor Andie realizes is that the corrupt mayor of Oakton City (Moynihan) has plans to destroy Liberty Park and put in a dangerous (because he doesn’t want to bother with safety issues) amusement park with rides and all the junk foods that Andie abhors—cotton candy, peanuts, ice cream, popcorn, pizza. 
      Andie plays a kind of stereotypical female role in trying to convince the male Surly to step up, get the animals to pull together, exercise their instincts, and resist the humans.  His response is the male-like war cry. “You’re going to fight the humans?” says Andie incredulously.  He does get the animals to rally around, but they will go through many struggles, even trying to move to another park in the city, in fighting the humans.  Along the way, they run into hordes of mice with a cheeky leader, Mr. Don’t-call-me-cute! Feng (Chan), which constitute an additional threat as “a weapon of mouse destruction.”
    The film has good messages for children about working hard, being responsible, cooperating with one another, doing what is right rather than what is easy, and valuing the natural world and their own instinctual nature.  The mayor and his spoiled, mean daughter are shown to be truly evil forces that must be deterred somehow.  In the end, everybody seems to have learned something, or have suffered the consequences.
     The animation and visual effects are very good, but I noticed the picture was not bright, sharp, and colorful like most of these productions are.  It could have been the projector or other equipment at fault, and the version I was shown is not in 3D, which could also account for the problem; but this was a surprise for an animation and detracted from the film’s quality.

A film with some good points, but not a great improvement over the previous Nut Job.

Grade:  C-                                    By Donna R. Copeland

Thursday, April 20, 2017

UNFORGETTABLE

Rosario Dawson     Katherine Heigl     Geoff Stults     Cheryl Ladd     Isabella Kai Rice     Jayson Blair


     Unforgettable’s weak plot contrasts with strong performances of the main characters.  After a traumatic childhood and recent past, Julia (Dawson) is eagerly anticipating her new life with David (Stults), someone who seems ideal—sensitive, caring, and responsible.  He has a lovely house in California and gives her his grandmother’s ring upon their engagement.  Julia is initially undeterred by the intrusions of his beautiful ex-wife Tessa (Heigl) and his ambivalent daughter Lily (Rice).  She finds Lily easy to win over, but Tessa begins to throw her curves right away.

      It’s obvious from the start where this movie is going.  The disappointing part is that the story is written and directed by women (Christina Hodson, writer, and Denise Di Novi, director) (the screenwriter is apparently a male David Leslie Johnson, however).  The reason I’m disappointed about the womens’ work is that it’s the usual bitch-crazy woman characterization of Tessa.  Julia, likewise, is shown to have a shady past where (uh-oh!), she was in a psychiatric hospital for a time.  This is the set-up for a cat fight(s) that will be inevitable sometime in the story. Fatal Attraction and numerous other films have done this subject very well.  Therefore, to me, it would have been a much better story if there were less psychopathology and more nuanced flaws in the women, not fitting into stereotypical portrayals for the sake of the sensational.
      Other flaws in the plot include inconsistency of character, e.g., Julia is shown to be so competent in most contexts (her job as editor, her adaptation to a new life in a different city, and her people skills); yet doesn’t seem to notice that luggage is flying off her car as she drives down the highway, answers calls on her cell phone from “Unknown”, seems powerless to set limits with Tessa, and has no idea how to defend herself until the very end. 
      Rosario Dawson can be counted on to give a performance that shows the textures of the characters she is portraying in variable moods and situations.  Katherine Heigl captures the “perfect” beautiful blonde with the porcelain skin and the devil underneath.  The film does show the exquisite transmission of cunning and contrivance from mother to daughter.  Cheryl Ladd in her character as Tessa’s mother serves as a fine model for this, and we can see her daughter unwittingly grooming her own daughter, Lily. 
      Caleb Deschanel’s cinematography contributes to the mystery and thrill of the film, with the camera always being a witness and sometimes being a guide before the action happens.

Unforgettable offers simplistic, stereotypical thrills and chills, and just may be forgettable.

Grade:  C-                                    By Donna R. Copeland