Showing posts with label Mel Gibson. Show all posts
Showing posts with label Mel Gibson. Show all posts

Thursday, November 3, 2016

HACKSAW RIDGE

Andrew Garfield   Sam Worthington   Vince Vaughn   Hugo Weaving   Rachel Griffiths   Teresa Palmer


       You are not surprised in a Mel Gibson movie to begin with the fiery fields of war.  That’s how Hacksaw Ridge starts, along with a voice-over of a sermon.  After that, we’re introduced to the Doss family, first the two brothers Desmond and Hal in horseplay and climbing on cliffs.  Then the father Tom (Weaving) with PTSD, alcoholism, and abusiveness and mother Bertha (Griffiths).  Although Tom received medals of honor after his service in WWI, he is bitter about losing his comrades on the battlefield.   To his horror, both his sons sign up for WWII, Desmond (Garfield) wanting to go as a medic because of his conscientious objection to taking up arms.  (To the film’s credit, clear lines are drawn connecting this belief to his religion as Seventh Day Adventist, to his father’s abuse of his mother, and to the guilt he feels after almost killing his brother by hitting him in the head with a brick.) 
      Just before he signs up, Desmond falls in love with a nurse at the hospital after he has saved a man’s life with a tourniquet after an accident.  He’s trying to retrieve the belt he used in the save, and Nurse Dorothy (Palmer), who is drawing blood from donors, agrees to get it for him, especially after he offers to donate.  Love quickly turns into an engagement, and Dorothy gives him her personal Bible and a picture of herself in bidding him goodbye at the train station as he leaves for boot camp.
      Boot camp is a major test of Desmond’s beliefs.  He is taunted, beaten up, and called a coward, and the army tries to get him disqualified for psychiatric reasons.  He tries to argue that he is a “conscientious cooperator” rather than an objector, but the brass do not get the distinction.  Finally, he faces a court martial when his father comes through with a letter from a brigadier general saying he has a right to his beliefs and that he is to be trained as a medic.
     By this time, some of his superiors, like Sargeant Howell (Vaughn) and fellow privates are starting to respect him somewhat.  But little do any of them know how he will prove himself on the battlefield using ingenious methods and extraordinary persistence to save 75 soldiers in three battles on aptly named Hacksaw Ridge that took away most of his unit.  (We “get” to see all three in detail, since Gibson doesn’t seem to know when to stop.)  The film is based on a true story, and Desmond Doss was later awarded the Medal of Honor for “conspicuous gallantry and intrepidity in action” for his bravery in Okinawa in 1945.
     Hacksaw Ridge should be commended for showing the effects of war both during the time of battle and afterwards, for showing that one doesn’t have to have a gun to be brave, and for highlighting the extraordinary military service of one individual, Medic Desmond Doss.
     Director Mel Gibson is clearly a talented filmmaker, who grasps the essence of a major story and turns it into a film that captures your attention.  In this, he is clearly helped by cinematographer Simon Duggan, accomplished in focusing in on sensitive human exchanges and using special effects for battle scenes.  He is also helped by Garfield, Weaving, and Griffiths bringing just the right dramatic tone to their characters, especially Garfield, who plays the modest but intelligent rube masterfully. 

A startling work about the heroics of a conscientious medic in war.

Grade:  B+                        By Donna R. Copeland

Monday, August 8, 2016

BLOOD FATHER

Mel Gibson     Erin Moriarty     Diego Luna     William H. Macy     Michael Parks


               In a taut drama with a predictable story line, Mel Gibson stars as an ex-con trying to clean up his act when his missing teenage daughter turns up, desperately needing his help.  She got in with the wrong crowd, and asks him to help her get away from ruthless pursuers.  The man loves his daughter and wants to make up for his past mistakes, so he risks parole violations and goes on the run with her.  He calls in chips from people who owe him favors both in and outside prison, and it’s clear he still has the respect of his underworld contacts.
        French director Jean-Francois Richet mixes together eye-catching action with character development and good cinematography (Robert Gantz).  Screenwriters Peter Craig and Andrea Berloff based the story on Craig’s same titled novel.  (Craig is the son of actress Sally Field, and is known for other screenplays, including The Town and parts 1 and 2 of The Hunger Games:  Mockingjay, and has a producing role in this film).  Although it’s not vividly original, the story is engaging, and the relationship between father Link (Gibson) and daughter Lydia (Moriarty) is especially interesting in their touching ambivalence toward one another alongside the willingness of each to die for the other. 
          Gibson brings his considerable everything to the role—regret, a sense of loyalty, devotion, fierceness, paternalism, and fearlessness—perhaps as a way of reflecting his real-life wish to be forgiven for unpopular press he has received.  His character in this film always has a back-up plan in place.  Moriarty has shown her skills in Captain Fantastic recently in a coquettish role that she uses here, but mixes with an array of decisive actions such as courage, assertiveness, and willingness to fight for what she wants or feels responsibility for.  We will likely be seeing a lot more of her in her ability to take on different personas.  Macy is another actor who is inevitably good in character roles, and he makes a convincing AA sponsor who genuinely cares about his difficult charge, Link.  We don’t see much of Diego Luna, but his supporting role is significant.
          Blood Father is violent, appropriately receiving an R rating, but the brutality is not extended or appearing nonsensical; i.e., not violence for violence’ sake. 

An action thriller with some heart and character development.

Grade:  B                                    By Donna R. Copeland