Showing posts with label Pierre Coffin. Show all posts
Showing posts with label Pierre Coffin. Show all posts

Thursday, June 29, 2017

DESPICABLE ME 3

Voices of:  Steve Carell   Kristen Wiig   Trey Parker  
Miranda Cosgrove   Dana Gaier   Nev Scharrel   Russell Brand   Steve Coogan   Julie Andrews

     The special effects, humor, and sheer imagination of the Despicable Me series continue to be refreshing and delightful for children.  There were many chuckles from children (and adults, by the way) in the screening I attended, as well as sighs during the tender moments.  Like its predecessors, 3 is mostly entertaining (as it’s meant to be) with colorful animation and special effects, some adventure, and fanciful transports (e.g., a golden car/boat/plane, and a Minion-devised airbus outfitted mostly with bathroom fixtures). 
     This rendition follows Gru (Carell), his wife Lucy (Wiig), and their three daughters, Margo (Cosgrove), Edith (Gaier), and Agnes (Sharrel), as they go to visit the heretofore unknown twin of Gru, Dru (Carell).  It turns out that the twins’ parents got a divorce when they were just babes, with the mother (Andrews) keeping Gru and the father taking Dru to another city.  After the father dies, the now grown up Dru invites Gru to visit him in Freedonia, where he has a prosperous pig and cheese farm, Gru is beside himself with expectations.  This constitutes one of the main themes of the story—anticipating something that may be different from what you expect, requiring some kind of adaptation on your part.  This happens not only to Gru in getting to know his twin, but also to Agnes (Scharrel) when she goes into the forest in search of a unicorn.
     The new character in 3 is Balthazar Bratt, a former child star who, in retaliation for Hollywood’s rejection of him has become a bad boy.  He revels in boasting nowadays, “I’ve been a bad boy!” as he is out for his revenge on Hollywood for cancelling his show, as well as for Gru and Lucy, AVL (Anti-Villain League) agents who have come close to capturing him for stealing the largest diamond in the world.  His escape from them results in their dismissal from the League, leaving Gru in an existential crisis. 
     It’s at just this time that Dru invites the Gru family to visit him.  What Gru encounters is a brother who felt he could never please their father.  It turns out that the father’s nickname was “The Bold Terror”, a kind of villain that Gru used to be.  But now Gru has a wife and family, he has been trying to disengage from that side of his past.  (It should be said here for those who know the previous Despicables, the Minions are none too happy about this.  However, in this rendition they manage to get incarcerated, escape, and, with their ingenuity, be in a position to aid their hero Gru.)
     Dru’s wanting Gru to teach him villainous skills puts Gru in a bind.  But he’s now in such a funk from being fired that he succumbs to Dru’s pleas.  He’s still crafty, though, and the way he hopes to satisfy both Dru’s desires and his own need for recognition by the AVL is to get back the diamond from Balthazar.
     The well-illustrated theme of Gru adapting to changing circumstances is reinforced with his newly acquired conscientiousness in doing what is right and feeling compassion for others less strong.  He is developing a more flexible way of thinking (i.e., seeing that Agnes’ discovery of a goat is just as exciting for her as finding a unicorn) and seems more grounded in living a life of honor.
     I found this update to be entertaining in its story, animation, and special effects, and the music (Heitor Pereira and Pharrell Williams) enjoyable.  It doesn’t have really strong messages for children, but sometimes, pure entertainment is all that’s wanted.  It’s not much different from its predecessors, but that is not likely to bother those who love these films.

Despicable Me 3 should do well at the box office; it was applauded by the audience at last evening’s screening.

Grade:  C+                                    By Donna R. Copeland

Thursday, July 9, 2015

MINIONS

--> Voices of:  Sandra Bullock   Jon Hamm   Michael Keaton   Allison Janney   Steve Coogan   Pierre Coffin   Geoffrey Rush



-->
The Minions are some of the most lovable creatures in children’s movies.  Illumination Entertainment, directors Kyle Balda and Pierre Coffin, writer Brian Lynch, and musician Heitor Pereira  deserve high praise for making a film that is truly entertaining, uplifting, and insightful about human beings, with all accompanied by delightful music from the sixties.  The very premise of the adorable minions searching all around the world for an evil leader makes one smile.  And the fact that we can only decipher a part of what they are saying (made up of Spanish, French, English and blabber) and still know exactly what they mean is fascinating.  Also remarkable (especially for young children who have already gotten a bad reputation) is the pride shown by those who get the label of villain.
           Minions serves as a prequel to their appearance in the Despicable Me series, and here, Geoffrey Rush narrates their origins and history up to the 1960’s.  The Minions have finally found a home they love after being banished to Antarctica (in The Despicables 2), but are distressed because they can’t keep a leader.  They have lost their previous leader, super-villain Gru, and every time they think they’ve found a replacement, something happens to make him/her/it disappear.  Then Kevin has a bright idea.  He will go out into the wide world and search for the perfectly despicable leader and then they’ll all be happy and motivated again.  He recruits two Minions to follow him:  One-eyed Stuart and tiny Bob.  They manage to get to New York City, but get a tip about Villain Con soon to take place in Orlando, an ideal place to find a despicable leader.  It’s 1968 when it’s popular for hippies to hitch rides, which seems like a good idea for them, and after several futile attempts, they’re on their way when a family stops to pick them up. 
           The Nelsons (Keaton and Janney as parents) are not an ordinary family; they’re headed to Villain Con in Orlando, and have to stop along the way for funds.  After robbing a bank in colorful masks, they elude the police in a wild car chase.  Ultimately, they deliver the trio to Villain Con and part company, although the Nelsons will see them again from time to time.  And indeed they do find a potential, Scarlett Overkill (Bullock) who takes pride in her evilness and has challenged a huge audience of fans to take a valuable stone from her hands, the reward for which will be a position as one of her henchmen.  After a major skirmish among the aspirers, it turns out that Bob coughs out the stone to everyone’s amazement.  Thereupon, Scarlett and her husband Herb (Hamm) take the three Minions to their swanky home and give them their charge.  They are to steal the crown of the Queen of England, something Scarlett has yearned for all her life.  And to help them, Herb gives them three of his inventions (mechanical limbs that extend out endlessly, a lava-shooting gun, and a cap).  The cap is hilarious because it looks like a round hot water bottle, but when it inflates and spins around like a globe, it puts the viewer into hypnosis.  All of these items will come in handy when the entourage travels to London to carry out the evil deed where they will encounter major threats of imprisonment and even death.
           Minions has received only mediocre ratings from critics, but I enjoyed it a lot, and do think the general public might as well.  My only reservation is the apparent acceptance of the characters’ getting away with deeds that are sometimes illegal, but these aren’t blatant enough that children will get the idea it’s all right to copy them. 

Charge of the Minions. 

Grade:  B                                            By Donna R. Copeland