Michael
Fassbender
Marion Cottiard
Jeremy Irons
Brendan Gleeson Charlotte Rampling Michael K. Williams Ariane Labed Michelle Lin
The
original idea of the film came from the video game of the same name, but
Director Justin Kurzel wanted writers to come up with a new story that would be
less “game-ish” and more suited to cinema. For this, he engaged writers Michael Lesslie, Adam Cooper,
and Bill Collage. To see that
action and game fans would not be disappointed in the visuals and special
effects, he secured the help of Production Designer Andy Nicholson,
Cinematographer Adam Arkapaw, Musician Jed Kurzel, and a talented cast, as
shown above. In my view, he
certainly succeeded in the visual and special effects and in the cast.
The drawback of the production is a rather
confusing story that jerks us around in time and space with a host of
characters difficult to keep track of.
The first scenes are in 1492 in Andalucia, Spain, in which Aguilar de
Nerha (Fassbender) is taking the oath of the Assassin’s Creed to protect an
apple even unto death against the Templars, who had taken over Spain. Switch to 1986 in Baja, California, where a
young boy Cal is told by his father (Gleeson) to run and “keep in the shadows”,
hiding from assassins out to kill him like they did his mother. Thirty years later, we see the grown-up
Cal (Fassbender) in prison for murder, being visited by a priest, and
subsequently being executed and declared dead—when suddenly he is in Spain at
Abstergo Industries associated with the Knights Templar Order.
He awakens to Dr. Sofia Rikkin (Cottiard)
telling him that he will be participating in research with the aim of getting
rid of his DNA associated with violence that passes through generations. Yes, he is a descendant of
Aguilar. His charge is to go into
“Animus” with virtual reality equipment designed to take him back in time (15th
Century) and space (Spain) to wrest the apple from the Templars, who now
possess it. The apple’s seeds will
then be used to rid the world of violence. We watch this happen, and it is truly amazing to see
Cal/Aguilar with his partner Maria (Labed) miraculously fighting off hordes of
people standing in their way. (I
understand Fassbender and Labed did 95% of the fights themselves). And Cal takes more than one trip into
Animus trying to retrieve the apple.
Of course, dark forces are at work. It seems that Sofia’s father Alan, CEO
of Abstergo has his own plans, and we see him talking with Templar Ellen Kaye
(Rampling). The plot thickens as
the differences in aims between father and daughter become more apparent. This adds an unnecessary layer to the
drama that I think would have been better off omitting.
The strength of this film is actually the video
game aspects (and I’m not a video game fan), and less so with the story that
becomes weighed down with too many layers and complications. And I’m not even mentioning the layer
of current prisoners at the Abstergo Company who play a role in insurrection.
Fassbender, Cottiard, Irons, Gleeson, and
Rampling give the film a haunting, mythical quality that keeps the viewer
engaged. It’s too bad the story
becomes so convoluted they are hung out to dry.
Action and intrigue, but with substance
minimized.
No comments:
Post a Comment