Voices
of: Bryan Cranston Koyu Rankin Kunishi Nomura Edward Norton
Bob Balaban Bill Murray Jeff Goldblum Greta Gerwig Frances McDormand
Scarlett Johansson Harvey Keitel Akira Ito F. Murray Abraham Tilda Swinton
Liev Schreiber Yoko Ono Courtney B. Vance Akira Takayama
Bob Balaban Bill Murray Jeff Goldblum Greta Gerwig Frances McDormand
Scarlett Johansson Harvey Keitel Akira Ito F. Murray Abraham Tilda Swinton
Liev Schreiber Yoko Ono Courtney B. Vance Akira Takayama
In the hands of Wes Anderson, a stop-motion
animated film with mostly dogs as characters and an allegorical theme will
captivate children and adults without pandering to either. Probably by coincidence,
writer-director Anderson, with the help of Roman Coppola, Jason Schwartzman,
and Kunichi Nomura, employ themes of topical relevance today: government corruption, foreign
influences on government, student protests, and issues related to animal
research. Additional weight comes
from a case of repentance of justified charges for crime, followed by
atonement. Oh, yes, and murder and
cannibalism are covered as well.
Now, you might think from reading the above
paragraph, that Isle of Dogs is entirely
too serious and doesn’t sound entertaining at all. But hold on—the action in the film is fascinating, rife with
chuckling humor and imaginative sets, all accompanied by Alexandre Desplat’s
wondrous score that enriches every scene. Cinematography by Tristan Oliver and all the
production and set design are remarkably artistic and enjoyable.
The story takes place in feudal Japan, where
Mayor Kobayashi (Nomura) and his cat-adoring people have decided that dogs are
bad (as evidenced by dog flu, snout fever, and other symptoms) and a threat to
humans, so must be banished to Trash Island (think of the environment in Wall-E); this is despite a noble
scientist (Ito) announcing that a cure is imminent.
It turns out the mayor has a nephew who has
become his ward after the child’s parents died. Atari (Rankin) has a beloved dog named Spots (Schreiber),
and even Spots has been banished.
This is too much for Atari, and in his grief and desperation (and
smarts) he commandeers a small plane on his uncle’s estate and flies to Trash
Island to find Spots. That’s where
many of the adventures and entertaining encounters take place. Every dog has a personality and
personal issues to deal with.
Anderson is able to insert drama in just about anything.
Suspense is high in making us wonder whether
Atari will find his dog (and there is an additional twist there), what will
happen to all the dogs we’ve come to know on the island, and what will happen
politically in Megasaki City.
There is so much to process in Isle of Dogs that you are likely to want
to see it again. Noteworthy is the
way the filmmakers bring home messages about justice, right, fairness, and joie de vivre without being
condescending. It’s all there for
you in the experiencing of the film.
Anderson has his favorite actors, and they are
here, along with a host of others for us to admire. I have heard that actors vie to be in an Anderson film, and
it’s easy to see why.
Quintessential Wes Anderson in
presentation, message(s), thoughtfulness, beauty, and fun.
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