Adrian
McLoughlin Steve
Buscemi Jeffrey
Tambor Michael
Palin Simon
Russell Beale
Paddy Considine Olga Kurylenko Andrea
Riseborough
Rupert Friend
Jason Isaccs
This is a film that is likely to pass right
over the heads of most Americans, whose knowledge of the history of Russia
during the 1950’s is meager at best.
In my own case, I was unable to catch the satire and the rolling out of
gags and slapstick that so many critics, by their reviews, have obviously
enjoyed. Curiously, instead,
I was constantly reminded of the chaos reigning in our current U.S. government,
which detracted majorly from the humor I might have enjoyed if I had seen the
film three years ago. (Another
time; another place. But not now!).
The Death
of Stalin deals with the death of a ruthless leader (played by McLoughlin)
who tortured, had shot, and sent to Siberia millions of innocent people. I guess it takes a special kind of
British humor by co-writer/director Armando Iannucci to make it into a
political satire that juxtaposes Stalin-era atrocities and comical bureaucratic
dysfunction at his death. The production is originally based on a comic book,
“The Death of Stalin”, by Fabien Nury and Thierry Robin.
The filmmakers have chosen to allow the cast to
speak in their usual accents, which range from regional British Isles to
American (no feigning of Russian language), so the viewer unfamiliar with
history and the characters has a lot to keep track of.
This is an outstanding cast, especially Steve
Buscemi, who looks nothing like Kruschchev, yet is able to be convincing. Jeffrey Tambor (Malenkov), Michael
Palin (Molotov), Simon Russell Beale (Lavrenti Beria) as head of the Russian secret
police, Jacon Isaacs (Field Marshal Zhukov), Andrew Riseborough (Svetlana
Stalin), and Rupert Friend (Vasily Stalin) all play their roles exactly as
prescribed and lend generous entertainment.
British humor juxtaposes Stalin’s
atrocities and comic dysfunction at his death among bureaucrats.
Grade: B By Donna
R. Copeland
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