Showing posts with label Jake Lacy. Show all posts
Showing posts with label Jake Lacy. Show all posts

Thursday, December 8, 2016

MISS SLOANE

Jessica Chastain     John Lithgow     Gugu Mbitha-Raw     Mark Stuhlberg     Mark Strong    Alison Pitt     Sam Waterston     Jake Lacy


          If you like exciting courtroom dramas that have key relevance for our time, you will love Miss Sloane and another captivating performance by Jessica Chastain.  Miss Sloane is a Washington lobbyist with the reputation of being the best in the city.  She is more than intellectually sharp and in speaking her mind, lets the facts roll off her tongue like automatic gunfire.  [Pun intended, as she is lobbying for a gun control law.]  She is unpredictable and usually many steps ahead of anyone else involved in an issue.  “Never be taken by surprise”, she says, and “play your trump card after they play theirs.”  (A demonstration of which she uses brilliantly in the final moments of the film.)  She teaches her six or so protégées maxims, tossing them out in rapid fire while working together on a project. 
          To the screenwriter Jonathan Parera’s credit, we get a bird’s eye view of the lobbying industry in Washington, D.C. and its corruptive influence on Congress members.  Along with Chastain’s portrayal of Sloane, this is the most valuable aspect of the film.  Viewing television coverage of the Lobbyist Jack Abramoff scandal in 2005 inspired Parera to write the script about lobbying. Independently, Chastain read Abramoff’s book in preparing for the role.  She also interviewed female lobbyists to guide her in portraying one of them.  The true-to-life quality of the film is likely a reflection of the Abramoff case and the additional research by Parera and Chastain. 
          Unfortunately, Director John Madden has chosen to use the ploy that seems to be a fad now in movie making, that of presenting events out of order in time.  Not only does this distract us from following a complex set of events and the import of Sloane’s rapid verbal output, it’s confusing for the viewer.  I was frustrated in not being able to process everything that is said by Sloane and her team.  Jumping around in time one has to spend a lot of attention on re-orienting.
         Supporting cast deserve recognition for the excellent roles they play in the drama.  Gugu Mbitha-Raw in particular, eloquently shows the sensitivity of her character on one hand and a sharp investigator on the other.  Mark Strong and Sam Waterston live up to their fine reputations by playing CEOs of lobbying groups, along with their staff members Mark Stuhlberg and Alison Pitt.  Jake Lacy is perfect as a studly character available to single women.
          Winning is the mantra in Miss Sloane, which we see as an all-important motivator for all the lobbyists, Sloane included.  Winning elections is key to survival for Congress members, hence their vulnerability to pressures coming from all sides.  But implicit in the story are questions about the costs sometimes involved in winning, whether that should always be a primary goal, and what happens to a person for whom that is a fundamental aim.

An exciting courtroom drama that has timely relevance.

Grade:  B                                    By Donna R. Copeland

Wednesday, November 11, 2015

LOVE THE COOPERS

Alan Arkin   Diane Keaton   John Goodman   Marisa Tomei   June Squibb
                                        Olivia Wilde   Amanda Seyfried   Anthony Mackie   Ed Helms   Jake Lacy


          And you probably will end up loving the Coopers in a film that many will see as a perfect holiday movie.  Although don’t expect to be immersed in warm fuzzy feelings throughout; this is a family that can throw barbs and “gotchas” with hardly a twitch of an eyebrow.  They all seem to have some gene that eventually and invariably alienates the person they’re talking to.  The script reads a bit like Little Miss Sunshine in its mixture of bittersweet, tender, and outright comedy.  The difference is that in Love the Coopers there’s a lot more bitterness in tone, especially in the beginning when everyone seems to be writhing with unhappiness—or maybe it’s just anxiety about the upcoming get-together.
         The drama mainly centers around couples—not necessarily the expected pairings.  The paterfamilias (Arkin) is alone in his old age, but has made a solid friendship with a young waitress at the local diner (Seyfried).  His daughter Charlotte (Keaton) has been married to Sam (Goodman) for 40 years, but it looks like the parting of the ways for them.  Their current issue is whether or not to announce their separation at the family celebration.  Son Hank (Helms) is going through a divorce, and he is not in good shape at all.  His other daughter Emma (Tomei) is alone not by choice, except maybe it has something to do with her not being able to form a bond with anyone and tending to feel sorry for herself in being alone.  We’re introduced to Charlotte’s and Sam’s daughter Eleanor (Wilde) in the airport where she has bumped into Joe (Lacy) who is headed out to report to duty.  Present at the Christmas celebration are also a number of grandchildren who are as quick-witted and verbal as their elders.
          Certain interchanges between characters in the drama really entertained and sparked my interest.  One was Eleanor and Joe doing a complex, often contradictory, mating dance that epitomizes budding relationships today.  Liberal meets conservative, but somehow, after many fits and starts, they find more common ground than conflict.  Another was that between Emma and the policeman (Anthony Mackie) who arrests her for shoplifting.  Being a life coach, she starts out asking him about himself, but when it ends up, he is giving her valuable advice.  They end up helping each other, and he is to be admired for insisting on appropriate boundaries. 
        The depiction of Sam’s and Charlotte’s relationship is not terribly interesting—it’s rather hackneyed—and although these are fine actors, I found myself yawning and fidgeting during their interchanges.  The best ones (Eleanor and Joe; Emma and Officer Williams) entertain us and make us think, and therein lies the best of this movie.

A soulful family Christmas with meaningful observations on mating.

Grade:  B                                                            By Donna R. Copeland