Munchausen’s by Proxy constitutes one of the
more mysterious, and even bizarre, medical diagnoses in that it refers to a
mother purposely making her child ill in order to fill her own unmet
needs. As noted by psychologist
Dr. Marc Feldman in this documentary, Claudine “Deedee” Blanchard represents
one of the most severe cases seen, with the mother beginning to make up
illnesses and disorders in her child Gypsy Rose from the time she was three
months old, and continuing until Gypsy was 19. Of course, some of the disorders came about because of the
medicine Deedee was giving her—medicines for everything from eye, ear, and
muscular disorders, to leukemia and leg paralysis and a host of other complaints—even
multiple surgeries. She kept Gypsy
in a wheelchair constantly, at least in public. At some medical visits, she would instruct Gypsy to stay in
her wheelchair, be calm, and not to move her legs.
Deedee was persuasive with doctors, friends,
family, and the communities in which they lived, thereby receiving not only
medications, but gifts of trips, a house, and cash in addition. She trained Gypsy well in playing the
role of a brave, upbeat child with chronic conditions. She was ingenious in convincing medical
doctors that this or that was wrong, and she brought in copies of medical
charts to bolster her claims.
Despite all her lifelong efforts, when Gypsy
was a teenager she struck up an online friendship with Nicholas Gode John,
someone with major problems of his own, and the two plotted a way for Gypsy to
escape her controlling mother.
The film directed by Erin Lee Carr reflects her
extensive research and exploration of the Syndrome and this case in
particular. Numerous people
involved were interviewed and are shown:
Gypsy herself, family members, friends, attorneys, reporters, law
enforcement officers, and physicians.
Because Gypsy and Nick committed a crime, the documentary becomes
something of a crime thriller as well.
Carr was praised for her previous documentary, Thought Crimes: the Case of the Cannibal Cop, and her work as a Vice
Media journalist: Click.
Print. Gun, both of
which have been shown at film festivals and were produced by HBO. In 2015, Variety cited her as one of ten documentarians to watch. With Mommy Dead and Dearest, she has lived up to that appellation.
Carr can be
praised as well for giving an example of how psychopathology can be “passed
down” through generations. We hear
strains in accounts of both Gypsy’s and Nick’s parents and grandparents—and even
somewhat in Gypsy herself—of coming by certain traits naturally, either by
nature or by learning.
This is an accurate account
of the syndrome, Munchausen’s by Proxy, which becomes like a thriller in
reporting on an extreme case.
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