Monday, March 14, 2016


Ethan Hawke                  Carmen Ejogo                  Callum Keith Rennie

        The man credited with West Coast Swing was apparently born to be blue.  Getting an introduction to his parents goes a long way towards explaining the title and the man, Chet Baker, who was all the rage in the ‘50s for his trumpet playing.  But after he was introduced to heroin his weakness/need for it, along with a chip on his shoulder, made him unpredictable and impulsively aggressive toward authority figures.  He was truly addicted to the drug in his conviction that he could perform better with it, and since playing was his most valued asset, it assumed top priority.
     As with other bio-pics recently, Born to be Blue is not linear in its structure; the filmmakers intended for it to be “impressionistic” more than presenting a factual account.  And like this year’s Miles Davis picture, it does not proceed in a linear fashion so jumps around in time and place.  I’m not a fan of this approach.
On the other hand, Ethan Hawke as Baker captures what I assume is the essence of the man, his charm, his social awkwardness, his brittleness of character, and single-minded passion for music. 
      Hawke’s representation evolves subtly and slowly; it takes a while to warm up to the man.  But by the end, he will have won the viewer’s sympathy and admiration, at least to some extent.  The director, Robert Budreau, devotes ample time to the music, which is beautifully rendered.
      Baker desperately wanted to impress Miles Davis (who was more often derisive) and Dizzy Gillespie, but when he was severely beaten—purposefully in the mouth, damaging his embouchure—by thugs sent by his drug dealer, he was forced into hiatus, and most thought he could never play again.  Born/Blue mostly covers this period of time, showing that for all his flaws, his need to play music gave him the persistence and commitment to rehabilitate himself.
     Born to be Blue also pays attention to the few people surrounding Baker who were supportive and probably responsible for saving his career.  His wife (Ejogo), an appealing, attentive woman who eventually could not tolerate his drug use; Dick (Rennie), his mentor, and finally, Dizzy Gillespie.

A look at the troubled, amazing life of Chet Baker.

Grade:  C+                By Donna R. Copeland

No comments:

Post a Comment